Monthly Archive for June 2010



this one? that one?


I have most of the circle quilt (as I have nicknamed it) pieced. Now it’s time for the final few decisions. I can’t decide which way to piece the middle bottom section. Either with the darkest fabric toward the psychedelic dots or toward the…gee psychedelic dots. Hmm…okay either more to the left or the right.

alternative

The problem isn’t simply that it’s dark but that the fabric on the other end is relatively light, and I think it can get lost easily. I have just about everything pieced and this indecision is holding up the completion of the top.

I was so frustrated I went to look for the backing and found the perfect fabrics! I will have to piece them but I think they’ll be great. They are either from the same series that one of the two main pieces is from – or they should have been. That is a relief. I was going to look for the right binding but 1. I don’t think that will be too hard; 2. I thought it would be pushing my luck and 3. in the process of looking for the back, I made a decision.

preferredThe darker fabric is going on the left; the lighter on the right. As they said in The 10 Commandments, “So it is written. So it is done.” I think that’s what they said then. I seem to remember Yul Brunner with a ponytail saying it. And I agree. There comes a point when decisions must be made and stuck to…unless you really change your mind in which case that’s why there are scissors. Which Yul should have used on that ponytail.

Big Grin

I just found out one of my quilts has been accepted for display in the Rocky Mountain Quilt Museum’s upcoming exhibit, Evolutions. The quilt is The Cabbages Practice Their Do-Sa-Do. I have had a huge grin since I received the notification.

Once I entered, I started  wondering whether any of my quilts would be chosen since, although I am experimenting with wild and crazy blocks, I don’t embellish my quilts nor paint them nor do anything that most “art quilters” do. But I am playing with color and motion. And I definitely think my quilts don’t look like most others.

So I am thrilled that the judge for this show saw what I am trying to do and how my quilts could indeed be considered a part of the endless, ongoing “quilt-as-art” evolution.

I have to think the quilt is tickled too. Nice to know you’ll been seen.

007_4A_2

Cabbages is a totally happy quilt. It delights me to look at it. I wanted it to evoke motion, especially that charming motion of square dancing. Which is where the title comes from.

And yet I didn’t want to do a literal quilt about the subject. Just tried to convey the joy in being alive and in motion.

The judge doesn’t know but the back of this quilt is lovely. I show-cased pieces of the uncut fabric so viewers can see exactly what it is I did. And do for all my quilts. And I always think it’s fun to find out there is something extra about a piece of art – a hidden signature, a mini-portrait within a larger painting, or a surprising back.

DSC00527


The back is not about motion. It’s an aid to the viewer who happens to see it. It is something to please the person who winds up owning this quilt. And it is a thank you from me to the gods of quilting, fabric designing, textiles.

The front is me saying Whee! Let’s make the most of this very moment.

Dates of the exhibit to follow. I have to come down to earth again first.


Maybe yes?!?!?!?


As quilters, we are NOT supposed to fill space just for the sake of filling space. Our work should be organic and look intentional. So I am going crazy over this quilt.

one

I absolutely love the main block. But gee it’s been like pulling teeth to get the rest figured out. I think I finally got the lower left hand side settled. I think. I hope. It seems to be working right now.

However I have given up on the lower right hand corner and cut it off. SO this presents another big piece of empty space on the quilt. What to fill it with? I tried those grey and rusty red semi circles and they just aren’t making it.

So I thought maybe the grey with the psychedelic dot circles. OR MAYBE NOT. It keeps pulling the eye over to it and really demands too much attention.two

And then I remembered that a quilt should be pieced. And that I get to decide how long and wide it is. So I have decided to piece two of the supporting fabrics horizontally stacked. Now THAT I think will work.three



If at first….


Next steps. Sometimes it’s obvious. Sometimes it’s hard. This new quilt is hard. I cannot work out the areas surrounding the main block. I have tried many MANY things.

I found the perfect fabric for the right hand side. It’s the metallic with the circles and lines. And I am going to LEAVE IT ALONE. Since it seems to work as is and I am cutting up and rejecting so many fabrics, I need one stable piece or I will GO NUTS.a

However I am not convinced the orange fabric at the end of this section works with that black metallic one. And I CANNOT figure out the area below the main block.

b



So I’ve added more of that metallic to the lower left side and I just dunno. And combining the grey and the rusty fabric with the semi circles. Is that working? I suspect n. o.




Okay so the red wiggly stripes on black works. That is a sure thing. That warms my heart. HOWEVER. The stuff around it. Oh dear. And the long piece going down the left side. With the orangey leaf-like motif. At first I thought YES.

c

Now I think NO. Perhaps if I flip it?  Flipping maybe works. It eliminates the psychedelic material however. And do I want to use that. ARGH!!!!!d

Stage two. Again.


On to stage two in my new quilt. The center was easy; I knew what I wanted to do from the moment I saw the fabric. And of course, I don’t want the center to BE centered. A little skewed is more interesting. To me, at least.

I’m obviously playing with circles here and having a ball. But the problems arise with everything and I do mean EVERYTHING that isn’t the off-center, center block.

I’m thinking I could take the easy way and just use some fabrics as they are printed, rather than cutting them up. But that grits in my craw, as they say. Or they used to say. Or maybe someone said once in a movie I saw a looooong time ago. Had to be a Western. That’s how Hollywood thought everyone spoke. “Yee Haw, it grits in my craw! Giddy-yup!”

red onlyWhere was I? My quilt is not just the one block so I need to make other blocks that have some visual interest without overwhelming the main block. I have found another fun quarter yard (I generally never buy quarter yards, so who knows what got into me) – it has metallic threads, so it echoes one I used as a stripe on the left side of the main block. And it has circles. Of course if I don’t cut it up some, it could distract from the rest of the quilt. The trick is to balance the distractions and keep the emphasis on the off-center center.

I also am ambivalent about the fabric on the lower left side—the almost psychedelic one with the circles made out of dots. It may be too much.

On the other hand, the one I’m thinking of replacing that with, may be too much of a different color. I know it’s grey but it seems too different. I am going to have to cut it up and see what gives. I have it in a sort of reddish brown but that on its own may be too much too. So I could try combining them….red two

Plus I have absolutely NO idea what to do with the border on the left hand side. Maybe I can sneak some of the psychedelic stuff in there but I suspect maybe not. This is one of those times when you have to do it in order to see it. Get out those scissors and prep the rotary cutter! I am ready! Giddy-yup!


getting our courage up


Does much of anything beat starting a new quilt! I love pulling out fabric and seeing what goes and what doesn’t; and then choosing the ones that don’t necessarily go as well as the harmonious ones.

I recently found, when I was looking for potential quilt backs – (which are fabrics I bought because I loved them but when I get them home, I just can’t see how I’m ever going to use them on a quilt top) – , anyway I found some panel prints. That is prints that could simply be sandwiched, and quilted as is without any piecing.

I’m never sure why I buy these. I imagine I fall in love with the graphics but when I get them to my studio, I am flummoxed. I don’t want to cut into them because they work so well as a whole. On the other hand, what I do is cut into fabrics. So I need to remind myself that nowhere is there anyone who will arrest me for cutting a gorgeous panel into many weird sections.

So much of quilting, and any art, is about courage. Having the courage to begin. To stare at a black design wall or a blank piece of paper, and have the courage to audition fabrics and play with designs.

For us quilters, having the courage to actually cut into the fabric takes a lot of umph. Supposed we make a mistake?!?!

Good news! There are no mistakes! And there is always more fabric. The pioneer women, piecing log cabins while they rode across the prairies in their covered wagons, had to make do. And one of the unique hallmarks of our art, one that I love, is that long heritage of making do with what is at hand – or, in other words, if you cut up too much of one fabric, you just grab another.

This shows a flexibility – okay maybe born of necessity but still – of design. Maybe it was  simple practicality. No fabric stores on the Chisholm Trail. But it comes down to us as the right to improvise. And to  be not quite so rigid. After all when we look at those amazing antique quilts, what do our eyes light on? Always the different piece of fabric.

So sometimes we need to remember that our heritage as quilters includes this tremendous gift – the right to complete our quilts as we see fit. I think we get hung up in the “rules” – the ¼ inch seams, the stitches-to-an-inch – all the things that stifle our creativity. Whereas we are actually the descendants of women who were constantly improving. Is that freeing, or what!

one circle q

So anyway I am thinking of somehow pulling together these fabrics in a quilt. I have been staring at them all for days. And days.

And I have finally figured out that what I have pulled out is two quilts. One is going to be basically red and black and I’m starting on it first.

The other is going to have to live on the design wall for a while longer because I have no idea where it’s going.  But I am cutting up fabric and having a great time. And improvising right, left, and center. Whee!two focusing in



my new job


I started a new part time job Monday. Working for the US Census. I am NOT counting people although I loved doing that in 2000. I am part of a special division that runs surveys of all of us and issues statistics. You hear about how things are for our nation economically – I will helping to gather that info.

I loved the census work I did ten years ago when I was a counter. What a great time! Gives you the excuse to visit your neighbors and find out what’s up. Although to tell you the truth, after a day of going door to door and filling out those forms, I could not remember who was what.

Census workers face heavy fines and jail time (5 years!) if they break confidentiality. But I gotta say, who could remember who said what? I thought when I started, I would be able to keep in mind a few things, but nope, everything was  a big scramble.

I did remember when the owner of one house pulled a gun on me – he had illegally converted his basement into a hellhole of cubicles for illegal immigrants. And he would not believe that ANY data I collected was privileged. Although even then I couldn’t remember which house it was because the block it was on was very cookie-cutter in house design.

I can tell you that if your neighbors are mad at you, they will tell an official more than anyone ever needs to know. In 1999 I worked as  an address confirmer (I’m sure the census has a more official title, I just don’t remember it either) and it was considered okay to ask neighbors about whether the house next to them was occupied.

If the neighbor was angry, I would find out about the wild parties, errant children, possible drug use, and bad yard maintenance (that was the greatest crime).

I would eventually learn to back away and mutter things like “I have to finish this street today” or I would hear about the sins of the fathers and grandfathers. And the grandchildren of dubious parentage.

There is no moral in this tale – just to trust us census workers; we not only face fines and incarceration but we are tired and our feet hurt and we really won’t remember you or your facts of life tomorrow.   And to try to keep your yard maintained nicely or your neighbors will never forgive you.




Dogs as gardeners

All dogs are great gardeners. They love to dig and they enjoy discovering the strange things their owners put in the ground. I believe they think it’s a game –we bury something and they are supposed to find it. And they’re GOOD at finding it.

And then often the thing they find tastes good too. Almost always, actually. Which is why I have been known to hysterically call my vet and ask if, for instance, day lily corms were bad for small poodles, since Jamie Lee, my little café au lait colored poodle loved them.

The answer is yes in quantity. No if just one corm. What dog, however, is willing to do something in a limited quantity? No dog I’ve ever known. Not even poodles. If it’s something forbidden, they’re going to eat as much of it as they can. The most picky poodle who would not think of touching her dog food because it was the same old boring kibbles will eat the most disgusting thing she can find in the yard.

Thus I have learned to be cautious when working in the yard with a dog. And, I bet the dog would say, grumpy. I am really grumpy when some four legged creature comes around behind and undoes what I have taken so long in doing, like digging where the lettuce seeds have been sown.

Lauren has been doing the planting around here since my knee injuries. She has tried to work with the dogs helping her but where Luka will lie down and supervise, Button feels she has to graze and taste things.

discussing a break-in plan

discussing a break-in plan


two dogs, consulting

two dogs, consulting

Consequently,  Lauren has put a lot of her careful, grown-from seed, vulnerable herbs and tomato plants in planters on the deck. They are fenced off from curious dogs which, the dogs tell me, is very rigid. Button SWEARS she will not eat anymore of the fertilizer or mulch.


And Luka reminds us she is a GOOD dog. Although she has been known, at Button’s urging, to sample something intriguing, like mulch or tissues or the cloth cover for the drum. Which did not digest as well as she apparently thought it would.

So the dogs are perturbed at Lauren’s recent invention – putting the planters with trellises across the deck to keep dogs from eating what was in them. I think it’s brilliant. And I have a private bet on with myself as to how long it will take Button to figure out a way through that barrier. I know she is working on it.

Good Underwear


My mother had a thing about underwear. She worried constantly about the state of the panties my sister and I wore. “What if you’re struck by a bus and you have to go to the hospital?” she’d say. “What will they think of you when they undress you?”

Now I was not a dirty child. I never would have worn dirty underwear. I liked things neat and tidy. I wasn’t into holes in my clothes. So I never quite understood why she thought this was such a danger. As far as I can remember, I never wore panties that a kid had to be ashamed of.

I imagine this phobia went back to her own childhood, in the early years of the 20th Century, when cleaning clothes was a true chore and people didn’t have a lot of extras in their dresser drawers. Hell, people often didn’t even have dressers.

And her young married years as the wife of an Iowa preacher who was paid in produce, not dollars, during the height of the depression. Nice, unpatched underclothes must have been something to dream of.

Since we lived in suburban New Jersey in my childhood, I wasn’t clear about how we were in danger from any buses either. There were a few floating around but certainly not a lot. And they were hardly renegade but driven by nice guys who kept to a schedule. I was the only kid I knew who took actually one.

Once a week, I would get on a public bus after school and ride it for an hour or so to where my mom worked – two towns over in a bookstore. Back then most bookstores were independent; no chains. I rode over, chatting the entire time with the driver, and was never imperiled by any bus coming close to running me over.

The year before, I attended a school in split session (I went afternoons), and had to spend one morning a week at Mom’s bookstore, where I read the books for children and gave very serious reviews. Around 11 a.m. I was allowed to go to the local diner and get lunch, all by myself. Every week I ordered a burger and a root beer, and felt very grown up. Then on Mom’s lunch hour, she’d drive me to school. Apparently once a week the boss needed her all day and that’s why I got to discover the pleasure of public transportation and the joys of eating out by myself.

As I grew older, Mother’s obsession with the state of my underwear continued. She always gave my sister and me what she called “good panties” for Christmas every year until the year before she died.

When I hit my 30s it began to feel somewhat odd to be getting “good panties” from my mom. Especially since they were her idea of what I should be wearing (let’s just say conservative) and not mine.

I started photographing them on one of my poodles – I always included photos as part of my thank you note because I could not figure out how otherwise to acknowledge the gift and yet convey the perhaps enough was enough. Tag, the miniature white poodle, who loved having her picture taken, was invariably my model. I did that into my 40s, at which point I gave up and just thanked Mom for them along with all the other odd gifts I received.

I  also sort of resented what the gift implied which was I couldn’t be trusted to get myself good panties. What did she think I was buying, I would ask myself. And then I’d try to see this as an attempt to give me something indulgent. But I could never quite get there.

I never knew what to do with these panties as I grew older. I mean, I have always given strange clothing gifts to the various charities who ask for clothes. But I wasn’t certain whether underwear was an appropriate donation. Somehow I felt maybe not. So normally I stuffed them in the bottom drawer of my dresser. And sometimes I took them along on trips to throw away as I traveled, thus reducing the weight of my suitcase by a couple ounces. Although this made me feel guilty somehow. As if I were wasting Mom’s money. Although Mom was the one wasting her money, I would say to myself, by giving me something I really didn’t want.

When Mom died, I thought about how the saga of the “good underwear” was now over. I wondered if I would miss the annual present, which was so weighted with my attempts to try to understand what drove her to do this, my guilt for not appreciating them, my irritation for what I felt the gift implied. (“Pam can’t even get herself good panties.”). I netted out that I would miss my Mom; and I would feel bad that on this, as with so many, MANY things, we never could seem to reach a compromise or even communicate clearly; that she was always angry with my responses, and I was always alarmed by the depth of her anger. Over time I began to wish, again and again, that we just could have sat down and talked things over and reached an understanding of each other’s point of view. And I would now like to hear about her early childhood in Chicago, where public transportation was a hazard and being poor meant dreaming about clean beautiful panties someday in the future.